UPSC MainsGENERAL-STUDIES-PAPER-I20135 Marks100 Words
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Q2.

Discuss the 'Tandava' dance as recorded in early Indian inscriptions. (100 words)

How to Approach

The question requires a focused discussion on the 'Tandava' dance as depicted in early Indian inscriptions. A good answer will define Tandava, trace its origins and evolution as evidenced in inscriptions (specifically mentioning key inscriptions and their details), and highlight its significance in early Indian culture and religion. Structure the answer chronologically, starting with the earliest references and moving forward. Focus on the details provided *by* the inscriptions, not general knowledge about the dance.

Model Answer

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Introduction

The ‘Tandava’ is a vigorous and dynamic dance form associated with Lord Shiva, representing the cosmic dance of creation and destruction. While popularly known through later textual and artistic representations, early Indian inscriptions provide crucial insights into its initial conceptualization and performance. These inscriptions, dating from the Gupta period onwards, reveal not just the dance’s religious significance but also its socio-cultural context, detailing the patronage received and the performers involved. Understanding Tandava through these primary sources offers a unique perspective on the evolution of Indian performing arts and religious beliefs.

Origins and Early References

The earliest clear references to Tandava are found in inscriptions from the Gupta period (4th-6th centuries CE). While the Natya Shastra of Bharata Muni (estimated 2nd century BCE – 2nd century CE) provides a theoretical framework for dance and drama, inscriptions offer practical evidence of its performance.

Inscriptional Evidence

1. Bhitari Inscription (Gupta Period, 6th Century CE)

The Bhitari inscription of Kumaragupta I, found in Uttar Pradesh, mentions the construction of a Shiva temple and the establishment of a dance hall (nritya-mandapa). Though it doesn’t explicitly detail the Tandava, the context suggests the performance of devotional dances, likely including early forms of Tandava, within the temple complex. This indicates royal patronage of dance and its association with Shaivism.

2. Aihole Inscription (Chalukya Dynasty, 7th Century CE)

The Aihole inscription of Pulakeshin II (634 CE) provides a more detailed account. It describes the construction of a temple dedicated to Tryambakesvara (Shiva) and mentions the presence of skilled dancers (nartakas) who performed various dances, including forms resembling Tandava. The inscription highlights the importance of dance in temple rituals and the recognition given to performers.

3. Badami Cave Inscriptions (Chalukya Dynasty, 6th-7th Century CE)

The Badami cave temples, particularly Cave 3, feature sculptures depicting dancing Shiva in various poses, which are interpreted as representations of Tandava. While the inscriptions themselves don’t directly describe the dance, the sculptural evidence corroborates the textual references and provides visual depictions of the dance’s movements and iconography. These sculptures show Shiva with multiple arms, symbolizing his cosmic power and control.

4. Tanjore Inscriptions (Chola Dynasty, 11th-13th Century CE)

Inscriptions from the Chola period, particularly those found in the Brihadeeswarar Temple at Tanjore, provide detailed information about the devadasis (temple dancers) who performed various dances, including Tandava. These inscriptions list the names of dancers, their skills, and the offerings made to them, demonstrating the institutionalization of dance within the temple system. The Chola inscriptions also mention the use of specific musical instruments and costumes during the performances.

Significance of Tandava in Early Inscriptions

  • Religious Devotion: The inscriptions demonstrate that Tandava was primarily a devotional dance performed in temples dedicated to Shiva.
  • Royal Patronage: Kings and rulers actively supported the construction of dance halls and provided patronage to dancers.
  • Social Status of Dancers: The inscriptions reveal that dancers held a respectable position in society and were often associated with temples.
  • Evolution of Form: The inscriptions suggest that Tandava evolved over time, with different dynasties and regions contributing to its development.

Conclusion

Early Indian inscriptions offer invaluable insights into the origins and evolution of the Tandava dance. They reveal that it was not merely a performance art but a deeply ingrained religious practice, patronized by royalty and performed by skilled dancers within the temple system. These inscriptions demonstrate the integral role of dance in early Indian society and its connection to the broader religious and cultural landscape, providing a tangible link to the artistic traditions of the past.

Answer Length

This is a comprehensive model answer for learning purposes and may exceed the word limit. In the exam, always adhere to the prescribed word count.

Additional Resources

Key Definitions

Devadasi
A Devadasi was a female dancer dedicated to a deity in a Hindu temple. They were skilled in classical dance and music and played a vital role in temple rituals. (Knowledge cutoff: 2023)
Nritya-mandapa
A Nritya-mandapa is a dedicated hall or pavilion within a temple complex specifically designed for dance and musical performances. It often features intricate carvings and architectural elements that enhance the aesthetic experience.

Key Statistics

The Brihadeeswarar Temple in Tanjore, a UNESCO World Heritage Site, contains over 1000 inscriptions detailing various aspects of Chola society, including dance and music.

Source: UNESCO World Heritage Centre

Over 1200 inscriptions have been discovered in the Aihole region, providing a rich source of information about the Chalukya dynasty and their cultural practices.

Source: Archaeological Survey of India (ASI) - Knowledge cutoff: 2023

Examples

Sculptures at Elephanta Caves

The Elephanta Caves (6th-8th century CE) feature magnificent sculptures of Nataraja (Lord Shiva as the Lord of Dance) performing Tandava, providing a visual representation of the dance form as understood during that period.

Frequently Asked Questions

Was Tandava exclusively performed by women?

While devadasis were prominent performers, inscriptions suggest that male dancers (nartakas) also participated in Tandava performances, particularly in royal courts and temple festivals.

Topics Covered

HistoryCultureAncient IndiaArt and CultureDance FormsReligious History