UPSC MainsENGLISH-LITERATURE-PAPER-I201720 Marks
Q7.

Sketch the character of Prospero in Shakespeare's The Tempest in the light of the larger context of his power and love of magic to persuade others into behaving in ways he wants them to behave.

How to Approach

This question requires a nuanced understanding of Prospero’s character, moving beyond a simple portrayal of a wronged Duke seeking revenge. The answer should explore the complexities of his power – its source in magic and political authority – and how he manipulates others, not just for retribution, but also for control and ultimately, reconciliation. The response should analyze specific instances of his manipulation, linking them to his motivations and the play’s themes of colonialism, forgiveness, and the nature of power itself. A strong structure will involve examining his initial motivations, the methods of his control, and the ultimate purpose behind his actions.

Model Answer

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Introduction

William Shakespeare’s *The Tempest*, often read as a romance, is deeply embedded in the political and philosophical currents of the Jacobean era. At its heart lies the character of Prospero, the exiled Duke of Milan, who, through mastery of magic, orchestrates a tempest to bring his enemies to his island. He is a figure of immense power, wielding not only his former ducal authority but also the supernatural abilities he has cultivated during his twelve years in exile. This essay will sketch the character of Prospero, focusing on the interplay between his power – derived from both political status and magical prowess – and his inclination to manipulate others to achieve his desired outcomes, ultimately leading to a complex exploration of justice, forgiveness, and the relinquishment of control.

Prospero’s Initial Motivations and Acquisition of Power

Prospero’s character is initially defined by a sense of injustice. He was usurped by his brother Antonio, aided by Alonso, the King of Naples. This betrayal fuels his desire for revenge, but it is his dedication to study – specifically, the “liberal arts” – that provides him with the means to enact it. He doesn’t simply lament his fate; he actively seeks power, immersing himself in magic and mastering spirits like Ariel and Caliban. This acquisition of power is not merely about retribution; it’s about regaining control over his destiny and imposing order on a chaotic world. His power is thus a response to powerlessness, a deliberate attempt to rectify a perceived wrong.

The Mechanics of Manipulation: Ariel and Caliban

Prospero’s manipulation is most evident in his treatment of Ariel and Caliban. Ariel, a spirit of air, is promised freedom in exchange for service. Prospero constantly reminds Ariel of his past enslavement by Sycorax, using this debt to maintain control. Ariel’s obedience is secured through a combination of promises and threats, highlighting Prospero’s manipulative skill. He frames Ariel’s service as a benevolent act of liberation, masking the inherent power imbalance.

Caliban, on the other hand, is treated as a savage, a “monster” to be subjugated. Prospero claims Caliban attempted to violate his daughter, Miranda, justifying his enslavement. However, Caliban’s perspective reveals a different story – he sees Prospero as an invader who stole his island. Prospero’s manipulation of Caliban involves both physical coercion and psychological domination, reinforcing colonial power dynamics. He uses Caliban’s resentment and desire for freedom to further his own plans, often pitting him against Stephano and Trinculo, the drunken servants, to maintain control.

Manipulation of the Human Characters

Prospero extends his manipulation to the human characters shipwrecked on the island. He orchestrates encounters, controls their perceptions through illusions (Act I, Scene 2, the banquet scene), and subtly guides their actions. Ferdinand, Alonso’s son, is deliberately separated from his father and presented to Miranda, initiating a romance that serves Prospero’s larger plan to secure a dynastic alliance. Alonso himself is tormented by guilt and grief, manipulated into believing his son is dead, ultimately leading to repentance. Even the seemingly random encounters are carefully calculated to achieve Prospero’s desired outcome: the restoration of his dukedom and the reconciliation of his enemies.

The Illusion of Free Will

A crucial aspect of Prospero’s manipulation is the illusion of free will. The characters believe they are acting on their own accord, driven by their own desires and motivations. However, Prospero is subtly directing their choices, shaping their experiences to lead them to predetermined conclusions. This raises questions about the nature of agency and the extent to which human behavior is truly autonomous. His power lies not just in his ability to control events, but in his ability to make others *believe* they are in control.

The Purpose Behind the Manipulation: Justice, Forgiveness, and Renunciation

While Prospero’s initial motivation is revenge, his ultimate goal transcends simple retribution. He seeks justice, but also forgiveness and reconciliation. The tempest and the subsequent trials are designed to expose the flaws and weaknesses of his enemies, forcing them to confront their past actions. His manipulation is, therefore, a means to an end – a way to bring about a moral reckoning.

Ultimately, Prospero chooses to renounce his magic, recognizing its corrupting influence. He acknowledges that his pursuit of control has come at a cost, and that true freedom lies in relinquishing power. This act of renunciation is a pivotal moment, signifying his transformation from a vengeful magician to a benevolent ruler. He understands that lasting peace cannot be achieved through coercion, but through forgiveness and understanding.

Conclusion

Prospero is a complex and multifaceted character, embodying both the allure and the dangers of power. His mastery of magic and his manipulative tendencies are rooted in a desire for justice and control, but ultimately lead him to a profound realization about the limitations of power and the importance of forgiveness. He is a figure who embodies the Renaissance humanist ideal of self-improvement, but also serves as a cautionary tale about the potential for abuse inherent in unchecked authority. His final act of renunciation suggests a move towards a more enlightened form of governance, one based on compassion and understanding rather than domination and control.

Answer Length

This is a comprehensive model answer for learning purposes and may exceed the word limit. In the exam, always adhere to the prescribed word count.

Additional Resources

Key Definitions

Colonialism
The policy or practice of acquiring full or partial political control over another country, occupying it with settlers, and exploiting it economically. *The Tempest* is often interpreted as an allegory for European colonialism, with Prospero representing the colonizer and Caliban representing the colonized.
Illusion
A false idea or belief. In *The Tempest*, Prospero frequently uses illusions to deceive and manipulate the other characters, blurring the line between reality and perception.

Key Statistics

Shakespeare’s *The Tempest* is believed to be one of his last plays, written around 1610-1611.

Source: Folger Shakespeare Library

Shakespeare wrote approximately 39 plays, 154 sonnets, and several other poems.

Source: The British Library (as of 2023)

Examples

Machiavellianism

Prospero’s manipulative tactics, particularly his willingness to use deception and coercion to achieve his goals, can be seen as reflecting Machiavellian principles, as outlined in Niccolò Machiavelli’s *The Prince* (1532). Both emphasize the importance of pragmatism and the use of any means necessary to maintain power.

Frequently Asked Questions

Is Prospero a villain?

Prospero is a morally ambiguous character. While he is driven by a desire for justice, his methods are often manipulative and oppressive. He is not a simple villain, but a complex figure whose actions are shaped by his past experiences and his pursuit of control.

Topics Covered

LiteratureDramaShakespearean dramaCharacter analysisPower dynamics