UPSC MainsGENERAL-STUDIES-PAPER-I201710 Marks150 Words
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Q1.

How do you justify the view that the level of excellence of the Gupta numismatic art is not at all noticeable in later times? (150 words)

How to Approach

This question requires a comparative analysis of Gupta numismatic art with its subsequent iterations. The answer should focus on the stylistic and artistic decline observed in later Indian coinage. It’s crucial to highlight the unique features of Gupta coins – their aesthetic quality, metallic composition, and the narratives they depicted – and then demonstrate how these qualities diminished over time. Structure the answer by first establishing the excellence of Gupta numismatics, then tracing its evolution (or devolution) in later dynasties like the Post-Guptas, Rajputs, and Delhi Sultanate. A chronological approach will be most effective.

Model Answer

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Introduction

The Gupta period (4th-6th century CE) is often hailed as the ‘Golden Age’ of India, and this extends to its artistic achievements, particularly in numismatics. Gupta coins weren’t merely mediums of exchange; they were exquisite works of art, reflecting the empire’s prosperity, religious beliefs, and the rulers’ self-image. Characterized by their purity of gold, graceful depictions of kings (often in elaborate attire), and the inclusion of deities, Gupta coinage set a high standard. However, the subsequent centuries witnessed a noticeable decline in the artistic quality and sophistication of Indian numismatic art, a trend that justifies the assertion that the Gupta level of excellence remained largely unmatched.

Gupta Numismatic Art: A Benchmark

Gupta coins were renowned for several features:

  • Metallic Composition: Predominantly gold (dinara), ensuring purity and aesthetic appeal. Silver coins were also issued, though less frequently.
  • Artistic Style: Coins displayed a high degree of artistic skill, with kings depicted in a majestic and idealized manner, often engaged in activities like horse sacrifice (ashvamedha) or playing musical instruments.
  • Iconography: Depiction of Hindu deities like Lakshmi, Kartikeya, and Shiva, reflecting the religious syncretism of the period.
  • Legends: Clear and elegant Brahmi script used for inscriptions, providing valuable historical information.

Decline in Post-Gupta and Early Medieval Coinage (6th-12th Centuries)

Following the decline of the Gupta Empire, a gradual deterioration in the quality of Indian coinage became evident.

  • Post-Gupta Dynasties (e.g., Maukharis, Pushyabhutis): Coins became smaller, less refined, and often featured crude depictions of rulers. The purity of gold diminished, with base metals increasingly used.
  • Rajput Dynasties: Rajput coinage (e.g., Gurjara-Pratiharas, Palas) largely abandoned the artistic finesse of the Gupta period. Coins were often anonymous, lacking detailed portraits or elaborate iconography. They focused more on symbols and inscriptions.
  • Metallic Composition Shift: A significant shift occurred towards the use of silver and copper coins, reflecting economic changes and a decline in gold availability.
  • Stylistic Simplification: The intricate designs and graceful figures of Gupta coins were replaced by simpler, more stylized representations. The artistic skill evident in earlier coinage was noticeably absent.

Further Degradation under the Delhi Sultanate (1206-1526)

The arrival of the Delhi Sultanate marked a further departure from the Gupta numismatic tradition.

  • Islamic Influence: Coinage adopted Islamic calligraphy and motifs, abandoning traditional Indian iconography. Arabic inscriptions replaced Brahmi script.
  • Focus on Religious Proclamation: Coins primarily served to proclaim the Sultan’s authority and religious beliefs (Islam), rather than showcasing artistic merit.
  • Material and Weight Standardization: While the Sultanate introduced a more standardized system of coinage based on silver (tanka) and copper (jittal), the artistic quality remained significantly lower than that of Gupta coins.
  • Lack of Portraiture: Islamic tradition generally discouraged the depiction of human figures, leading to the absence of portraits on coins.

Comparative Table: Gupta vs. Later Coinage

Feature Gupta Period Post-Gupta/Delhi Sultanate
Metallic Composition Primarily Gold (Dinara) Silver, Copper, Base Metals
Artistic Style Highly Refined, Graceful, Idealized Crude, Simplified, Stylized
Iconography Hindu Deities, Royal Portraits Islamic Motifs, Calligraphy
Script Brahmi Arabic/Devanagari (later)
Purpose Economic Exchange & Artistic Expression Economic Exchange & Religious/Political Proclamation

Conclusion

The numismatic art of the Gupta period represents a peak in Indian coinage, characterized by its artistic excellence, metallic purity, and rich iconography. While subsequent dynasties continued to issue coins, they largely failed to replicate the level of sophistication and aesthetic quality achieved during the Gupta era. The shift towards base metals, simplified designs, and the influence of Islamic artistic traditions resulted in a noticeable decline, justifying the view that the Gupta standard remained largely unsurpassed in later Indian numismatic history. This decline reflects broader socio-economic and cultural shifts within the Indian subcontinent.

Answer Length

This is a comprehensive model answer for learning purposes and may exceed the word limit. In the exam, always adhere to the prescribed word count.

Topics Covered

HistoryArt and CultureAncient HistoryIndian ArtGupta Period