Model Answer
0 min readIntroduction
Raja Rao’s *Kanthapura* (1938) is a landmark novel in Indian English literature, employing a unique narrative style that blends myth, folklore, and social realism to depict the impact of the Gandhian movement on a South Indian village. The novel’s structure, resembling a *purana* or ancient tale, is narrated primarily through the voice of Achakka, an elderly Brahmin woman. However, to perceive Achakka merely as an individual character is to miss the core of Rao’s artistic intention. She transcends individual identity, functioning as a collective voice, embodying the experiences, anxieties, and moral framework of the entire group of Brahmin women in Kanthapura. This essay will elucidate how Achakka’s character operates as a symbolic representation of this collective, rather than a distinct personality.
Achakka as the Embodiment of Collective Memory and Tradition
Achakka’s primary function within the narrative is that of a storyteller. She is the repository of Kanthapura’s history, its myths, and its social norms. Her narratives aren’t simply recollections; they are the collective memory of the Brahmin women, passed down through generations. She doesn’t present a personal perspective but rather relays the shared understanding of the community. This is evident in her detailed descriptions of village life, religious rituals, and the social hierarchy. Her storytelling isn’t about ‘I’ but about ‘we’ – the collective ‘we’ of the Brahmin women.
The Voice of Moral Authority and Social Commentary
Achakka isn’t just a narrator; she is also the moral compass of the novel. She embodies the traditional values and beliefs of the Brahmin community. Her judgments, though rooted in tradition, aren’t presented as individual opinions but as the collective moral stance of the women. For instance, her disapproval of Rangamma and Moorthy’s relationship isn’t a personal dislike but a reflection of the community’s adherence to social norms. She critiques the changing social landscape, particularly the influence of Westernization and the disruption of traditional hierarchies, but her critique is voiced on behalf of the entire group.
Representing the Collective Experience of the Gandhian Movement
The novel traces the impact of the Gandhian movement on Kanthapura, and Achakka’s narrative becomes the vehicle for representing the collective experience of the Brahmin women during this period. Their initial enthusiasm, their participation in the salt satyagraha, their subsequent suffering under British rule – all are filtered through Achakka’s voice. She doesn’t focus on individual heroism but on the collective struggle and resilience of the women. Her descriptions of the arrests, the lathi charges, and the economic hardships faced by the villagers are not presented as isolated incidents but as shared experiences that bind the community together.
The Absence of Individual Psychological Depth
A key aspect of Achakka’s characterization is the deliberate lack of individual psychological depth. Rao doesn’t delve into her inner thoughts or motivations. She remains a relatively flat character, serving primarily as a conduit for the collective voice. This is a conscious artistic choice, emphasizing her role as a representative figure rather than a fully realized individual. Her emotions are consistently aligned with the collective sentiment – fear when the village is threatened, joy when the movement gains momentum, and sorrow when faced with loss. This lack of individualization reinforces her status as the voice of the group.
The Narrative Structure and Achakka’s Role
The novel’s structure, mimicking the style of a *purana*, further reinforces Achakka’s role as a collective voice. *Puranas* are traditionally narrated by sages who act as vessels for divine knowledge and wisdom. Similarly, Achakka functions as a vessel for the collective wisdom and experiences of the Brahmin women. The cyclical narrative structure, with its repetitions and refrains, emphasizes the continuity of tradition and the enduring nature of the community’s collective identity. The use of free indirect discourse blurs the line between Achakka’s voice and the thoughts and feelings of the other women, further solidifying her role as their representative.
The Significance of Her Name
Even Achakka’s name is symbolic. “Achakka” is a respectful term used to address elderly women in certain parts of South India, signifying their wisdom and authority within the community. The name itself positions her as a representative of the older generation and the traditional values they uphold. It’s a title that embodies the collective respect and reverence the women have for their elders and their traditions.
Conclusion
In conclusion, Achakka in *Kanthapura* is far more than a mere character; she is a carefully constructed narrative device employed by Raja Rao to represent the collective consciousness of the Brahmin women in the village. Through her storytelling, her moral authority, and her representation of the community’s experience during the Gandhian movement, Achakka transcends individual identity and becomes the voice of an entire group. Her lack of individual psychological depth and the novel’s *puranic* structure further reinforce this symbolic function, making her a powerful and enduring representation of collective identity and tradition in Indian literature.
Answer Length
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